
Ah, nothing better than curling up an entire gloomy rainy Sunday enjoying a good book. Today I almost finished "the namesake" by Jhumpa Lahiri, a story of a first-generation Indian boy as he tries to cast off his parents' ways...
A place for us to share beautiful books that inspire us. When I find a great book I feel lucky, ecstatic, alive! I can't put it down because the story is so moving, so real... there is nothing else like the privilege of sitting on a quiet day with my nose in a great book.
I believe it was Jen Garone who turned me onto this amazing beautiful tale. I can't even begin to describe how much the fullness of the womens' experience moves me. We read this when we started our very own little four person book club way back in 2000 and it was usually just she and I who would show up and also the only ones who would read the book.
The red tent is the place where women gathered during their cycles of birthing, menses, and even illness. Like the conversations and mysteries held within this feminine tent, this sweeping piece of fiction offers an insider's look at the daily life of a biblical sorority of mothers and wives and their one and only daughter, Dinah. Told in the voice of Jacob's daughter Dinah (who only received a glimpse of recognition in the Book of Genesis), we are privy to the fascinating feminine characters who bled within the red tent. In a confiding and poetic voice, Dinah whispers stories of her four mothers, Rachel, Leah, Zilpah, and Bilhah--all wives to Jacob, and each one embodying unique feminine traits. As she reveals these sensual and emotionally charged stories we learn of birthing miracles, slaves, artisans, household gods, and sisterhood secrets. Eventually Dinah delves into her own saga of betrayals, grief, and a call to midwifery.
"Like any sisters who live together and share a husband, my mother and aunties spun a sticky web of loyalties and grudges," Anita Diamant writes in the voice of Dinah. "They traded secrets like bracelets, and these were handed down to me the only surviving girl. They told me things I was too young to hear. They held my face between their hands and made me swear to remember." Remembering women's earthy stories and passionate history is indeed the theme of this magnificent book. In fact, it's been said that The Red Tent is what the Bible might have been had it been written by God's daughters, instead of her sons. --Gail Hudson
In Sue Monk Kidd's The Secret Life of Bees, 14-year-old Lily Owen, neglected by her father and isolated on their Georgia peach farm, spends hours imagining a blissful infancy when she was loved and nurtured by her mother, Deborah, whom she barely remembers. These consoling fantasies are her heart's answer to the family story that as a child, in unclear circumstances, Lily accidentally shot and killed her mother. All Lily has left of Deborah is a strange image of a Black Madonna, with the words "Tiburon, South Carolina" scrawled on the back. The search for a mother, and the need to mother oneself, are crucial elements in this well-written coming-of-age story set in the early 1960s against a background of racial violence and unrest. When Lily's beloved nanny, Rosaleen, manages to insult a group of angry white men on her way to register to vote and has to skip town, Lily takes the opportunity to go with her, fleeing to the only place she can think of--Tiburon, South Carolina--determined to find out more about her dead mother. Although the plot threads are too neatly trimmed, The Secret Life of Bees is a carefully crafted novel with an inspired depiction of character. The legend of the Black Madonna and the brave, kind, peculiar women who perpetuate Lily's story dominate the second half of the book, placing Kidd's debut novel squarely in the honored tradition of the Southern Gothic. --Regina Marler